My plan was inspired by 24-Hour Comic Book Day. I’m had a booth where I constructed my Black Widow (from The Twelve) costume right at the booth and hoped to get it finished early enough to actually have some time wearing it. Since I couldn't do 24 hours straight, it was spread across the two days of the show.
I arrived in the nick of time on Friday with five minutes to unload my gear from the car. Ten minutes before the show began on Saturday, I turned on the sewing machine to make sure everything was ok. ERROR MESSAGE! Oh no. I started to panic. I told one of our hosts Bryan Deemer that things weren't working. Luckily, I just had to rethread the machine and it worked. The pre-party at Third & Spruce was great. That of course gave me a bit of a hangover for the project right off the bat so my hashtag on twitter was "#hungovercostume challenge."
First I stitched the interfacing to the collar and stitched the collar closed lengthwise just to get something simple out of the way.
Saturday was all about the bodysuit and the bulk of my day was spent in a frustrated struggle trying to get the spider logo appliquéd to the matte spandex. It seemed like it was centered but when was all was done, it's a little off. I used a ton of straight pins to hold it in place. I zig-zag stitched around the spider with black thread. I hated the way it was coming out. The zig-zags weren't wide enough or tight enough and since the fabric shifted every few stitches there were so many sections that looked pretty awful. But I formulated a plan. I covered the black thread with grey thread and a better embroidery style stitch. At first, I couldn't figure out why the grey stitches were coming out bad; changed the needle and problem solved so one spider in particular is a bit terrible.
I struggled for so many hours with just the spider part that I was sure I wouldn't finish the challenge. At a certain point, I knew that I was at least a few hours behind where I wanted to be. I wanted to have the cape started on Saturday but had to accept that I'd be lucky if the bodysuit was completed.
After the appliqué, I made the sleeves, another easy step to make me feel like I was accomplishing something.
Then I basted the two back pieces together and installed the zipper. The problem this is that once a stitch is placed and then removed, the holes show up in this fabric. I wasn't really concerned since this was the back of the suit and it has a cape. I would have been really annoyed if I had been making this for someone else. I'll have remember to use doublestick tape instead when I do the Huntress costume out of the same material. After the zipper was done, I stitched the remainder of the back bottom together.
The rest of the construction went without any problems: I had to attach the front piece to the back at the shoulders and crotch. Then install the sleeves and collar. The whole bodysuit was completed by 5:30 on Saturday giving me a couple of minutes to walk the show floor.
I was stressed and exhausted. I kept introducing myself to the same people because I was forgetting that I had met them. :/ I was stressed for other personal reasons too but please accept my apologies if I had one of those flake out moments with you.
Saturday night was all about the main party at Third & Spruce in West Reading. I got to be front row to see Kyle of Kirby Krackle sing a few of my nerdy favorites! Woohoo!
Back to the show Sunday. Very hungover. My booth also became the con daycare. I love that some of the kids were actually interested but most of them just wanted to know if I had free stuff; luckily I had leftover tattoos and buttons from Wonder Woman Day.
This particular plan was to make a single layer cape which I'm not a fan of. Capes look better lined because it hides the seams. This character's cape is supposed to be filmy and translucent. The lavender crepe material is also $21/yard. By not lining it, I was able to keep the cost down but then I had to accept that I wouldn't be totally thrilled with the final result.
I hemmed around the hood (which you can't see in any of the pictures). Then had to stitch the four panels together of the cape. This fabric wouldn't work with a clean overlocking stitch; I had to straight stitch the whole thing. The hood was a struggle to attach. I was tired, hungover and stressed. The gathering wasn't going well. I even topstitched the hood to try and make it look a little bit better. The clasp was the last part of sewing and I did it by hand. The length was way too long; I cut it a bit but it was still constantly stepped on and tangled in my boot buckles.
I put on the costume (the suit has a spot where it bunches in the back and should be fixed but I didn't care); donned the wig (another issue as the original long one looked awful so I went with a short one that looks nicer but is way too short); added extra black shadow since mine had been sweat off hours ago. Then toured the floor for a couple minutes before heading to the only panel I saw, the Quick Draw competition.
I think my total construction/sewing time was 10 hours. I'd have to go back and check my notes on how long I spent on the design and cutting/prep stage. The cape fabric was $70; black matte metallic spandex $13/yd * 2 = $26; grey spandex $8; interfacing, zipper, cape closure, etc. was probably around $10; wig $43 (plus the wig I didn't like $45); boots & tights were already in my wardrobe.
HUNTRESS work in progress Day 1
I'm working on a HUNTRESS: YEAR ONE variation costume for a friend. She's a completely different size than I am so I had to create a new pattern tracing over one of mine and adjusting it. We've looked at different fabric and decided to go with the Matte Metallic in Black for the main part of the suit. For the contrast color which is purple, we'd going with a great shade that's really vibrant in Milliskin Matte Tricot.
Luckily I happen to have the trade paperback of Year One so I compared those images to ones I had found on ComicVine. As it turns out there's a lot of subtle variations.No surprise there. Every artist put his own flare into a character. There are times when the purple looks like a "V" shape in the front but other times when it looks like a separate vest. I'm going with the vest look after consulting with my friend about how she didn't like the style where the purple actually looks like a bathing suit over the bodysuit. We've also decided to go with a black crepe for the cape rather than purple so that it can used for other characters; modifying designs this way is one of my essential tricks. Whether a wig, belt, boots or gloves aren't perfectly accurate don't mean as much to me personally as getting use out them because this stuff is not cheap. It's often labor-intensive if I've built the piece myself and/or expensive for the raw materials. Versatility is key!
Using the Kwik Sew 3052 figure skater pattern as a basis, I traced over the initial pattern onto muslin. I took some time to drape spandex over my dress form (again it's my size but I just needed an idea of the vest shape). Then I sketched on the muslin while referencing that panel above until I came up with lines that I hope will work. I highlighted the final lines in fabric marker. Traced that muslin with a different muslin so that I'd have the one original full-length suit pattern and then use the second to cut up into individual pattern pieces for color blocking.
Luckily I happen to have the trade paperback of Year One so I compared those images to ones I had found on ComicVine. As it turns out there's a lot of subtle variations.No surprise there. Every artist put his own flare into a character. There are times when the purple looks like a "V" shape in the front but other times when it looks like a separate vest. I'm going with the vest look after consulting with my friend about how she didn't like the style where the purple actually looks like a bathing suit over the bodysuit. We've also decided to go with a black crepe for the cape rather than purple so that it can used for other characters; modifying designs this way is one of my essential tricks. Whether a wig, belt, boots or gloves aren't perfectly accurate don't mean as much to me personally as getting use out them because this stuff is not cheap. It's often labor-intensive if I've built the piece myself and/or expensive for the raw materials. Versatility is key!
Using the Kwik Sew 3052 figure skater pattern as a basis, I traced over the initial pattern onto muslin. I took some time to drape spandex over my dress form (again it's my size but I just needed an idea of the vest shape). Then I sketched on the muslin while referencing that panel above until I came up with lines that I hope will work. I highlighted the final lines in fabric marker. Traced that muslin with a different muslin so that I'd have the one original full-length suit pattern and then use the second to cut up into individual pattern pieces for color blocking.
So far, it's about 3 hours into the project. Time for a nap.
I completed the rest of the documentation at AmberUnmasked.com
Romance Comics making a comeback? I hope so!
After falling in love with the era that brought us BLACK WIDOW/CLAIRE VOYANT and MODESTY BLAISE, the super spy female counterpart of James Bond, I learned that Titan Books was going to be releasing tributes to more golden age comics, in particular Romance Comics. I hope to be added to the press list for when that comes out.
Jumping ahead of the books, Marvel Comics has been getting some merchandise out on the shelves. I picked up this little purse at Wal-Mart (of all places - I only go in that store about four times a year) and I learned from my twitter & tumblr friend Betty Fellon that there's a matching wallet.
Jumping ahead of the books, Marvel Comics has been getting some merchandise out on the shelves. I picked up this little purse at Wal-Mart (of all places - I only go in that store about four times a year) and I learned from my twitter & tumblr friend Betty Fellon that there's a matching wallet.
See you in Pittsburgh!
These are the costumes that I'll be wearing in Pittsburgh: my Dark & Strange Alice in Wonderland and my Susan Storm of the Fantastic Four. You'll be able to find me at the booths of PAUL STORRIE, STORMWATCH COMICS, and JOE SINNOTT. I'll also be taking as much as it allows to walk the floor visiting other great talent like Josh Lyman, Jay Fife & his model Lola Lynn, Andy Harmon, Stauffer, and Ken Haeser.
Thanks for voting! Here are the counts:
ALICE: 24
SUE: 13
FIRESTAR: 12
POWER GIRL: 12
ACE: 7
TWILIGHT GUARDIAN: 1
Thanks for voting! Here are the counts:
ALICE: 24
SUE: 13
FIRESTAR: 12
POWER GIRL: 12
ACE: 7
TWILIGHT GUARDIAN: 1
Help me pack for Pittsburgh Comic Con. Need to choose & pack tonight!
Help me choose what to wear in Pittsburgh! I need 2 outfits for Sat & Sun at this weekend's Pitt Comic Con. I'm leaning towards the Ace & Alice ones. I'll be working several booths: Paul Storrie (writer), Stormwatch Comics (shop), and Joe Sinnott (legend).
Best Gender Swapped Justice League from WonderCon
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| Photo by Lynx Pics |
I wish I had seen this in person but sadly I have never been able to attend WonderCon. This costumed entourage is truly one of the only times I have ever seen gender swapping in costuming done well. The characters maintain their integrity and stay within typical comic book design. "Crossplay" just usually comes across as bogus slutted up girl dressed as a male character. This Justice League was definitely high caliber.
Quickie edit: Roxanna clarified for me - "what we're doing is actually neither crossplay (trying to pass as a character of the opposite sex) or even gender bending (playing with gender identity within a character) - we were sex-swapping. So my understanding is then that "crossplay" would essentially be the same as "drag" - meaning if Steven were trying to actually be Power Girl instead of male-inspired variation of the character. Correction duly noted. :)
I know they reworked official identities so that use of "man" and "woman" were switched with "lass" or something to make the gender identity work but I don't have the list so I'm just going to try and explain based on the real characters' names.
Members:
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| Photo from Tallest Silver's facebook |
Roxanna Meta as AQUA"MAN"
Steven Meissner as POWER "GIRL"
Tallest Silver as BAT "MAN"
Clyde Max as WONDER "WOMAN"
Tat Zee as PLASTIC "MAN"
Mia Ballistic as GREEN LANTERN
Catherine Pow as THE FLASH
Kit Quinn as SUPER "MAN"
unknown: BLACK CANARY, VIXEN
To learn more about them visit their facebook page, UNITED UNDERWORLD.
CGS SUPERSHOW, Reading, PA - Apr 30-May1, 2011
If you haven’t heard me talking about the COMIC GEEK SPEAK SUPERSHOW (April 30-May 1) then you haven’t been paying attention. This is my favorite show of the year because of it’s casual atmosphere, great shopping, huge opportunities to learn about indie and mainstream creators and of course, the rocking post parties at Third & Spruce.
My plan is inspired by 24-Hour Comic Book Day. I’m going to have a booth where I will be constructing my Black Widow (from The Twelve) costume right at the booth and hope to get it finished early enough to actually have some time wearing it. Since I can’t do 24 hours straight, it’ll be spread across the two days of the show.
Check out my interview with PETER RIOS from CGS.
My plan is inspired by 24-Hour Comic Book Day. I’m going to have a booth where I will be constructing my Black Widow (from The Twelve) costume right at the booth and hope to get it finished early enough to actually have some time wearing it. Since I can’t do 24 hours straight, it’ll be spread across the two days of the show.
Check out my interview with PETER RIOS from CGS.
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